Watch The fault In Our Stars Online But hard-core partisans will read into this what they will. From this perspective, though, Honorable Woman succeeds in being meticulously fair in its tackling of a very challenging subject. And in the realm of Middle East-centric television dramas, it makes both Showtime’s Homeland and FX’s new Tyrant seem almost like kids’ stuff.
Watch Dawn of The Planet Of The Apes Online Honorable Woman sometimes might benefit from a quicker pace. But it also thrives on the many scenes that play out at length. Sir Hugh’s precise interrogations could fill an entire hour without ever being boring. And the prolonged, pent-up tension in Episode 2, for instance, is enough to make one grip a strong cocktail for dear life.
Watch Transformers Age Of Extinction Online Such is the case with Spoon. The Austin band gets plenty of popular and critical love, no doubt, just not enough of either. Huge commercial success may be a lost cause for most rock outfits nowadays, but appreciation is another matter entirely. As a whole, Spoon’s first-rate catalog is taken for granted. Almost everyone agrees the group makes taut and elegant rock ‘n’ roll.
Watch 22 Jump Street Online And yet there’s a widely accepted, if implicit, notion that rock music is more important, more serious, more worthy, when served with a side of genre blending and obfuscation, rather than straight up. Here’s the old Beatles versus Stones divide, still inserting a false dichotomy into our evaluation of rock, fifty years later.
Watch The Purge Anarchy Online This is a mindset fundamentally stuck in a romanticized past. It assumes an era that probably never existed, one where you could simply walk into a dive club, swing a tattered copy of CREEM, and knock over two or three exciting garage bands. The truth is rock long ago lost its vibrant middle.
Watch The Other Woman Online Spoon’s music isn’t the only refuge within modern rock’s dusty badlands – God bless you, Japandroids – but it is the most verdant. Spoon remains a stalwart holdover from a decade that saw the Strokes, the White Stripes, and lesser upstarts afford pure (throwback?) rock a final, merciful, gulp of oxygen.
Watch Planes Fire and Rescue online Spoon’s eighth LP They Want My Soul arrives over twenty years after its debut recording, the Nefarious EP. The new record warrants a superlative of some kind. But I struggle to find one that couldn’t legitimately apply elsewhere within the band’s impeccable string of releases, starting with 1998’s A Series of Sneaks all the way through 2010’s Transference.
Watch Tammy Online I would call it Spoon’s most cohesive album, if it weren’t for 2001’s Girls Can Tell. I would call it Spoon’s most assured album, if it weren’t for 2002’s Kill the Moonlight. I would call it Spoon’s most enjoyable album, if it weren’t for 2005’s Gimme Fiction. I would even call it my favorite Spoon album, if it weren’t for 2007’s Ga Ga Ga Ga Ga.
They Want My Soul feels like a comeback, one that goes beyond the long hiatus that separates it from Transference. It isn’t exactly a return to a “classic sound” – Spoon always sounds like itself – nor does it correct a prior artistic misstep. Though Transference, Spoon’s first and only self-produced LP, was warmly received at first, time hasn’t been very kind to it. If the album carries an air of disappointment, the fault isn’t with its merits, but with listeners’ tastes, or perhaps their memories. Transference was an intentionally shaggy and sometimes sour affair, which dimmed Ga Ga Ga Ga Ga’s luminance and smeared its precise lines.
This rawness was taken as a serious flaw; the quality of its songs were either overlooked or forgotten (“Written in Reverse,” “Before Destruction,” and “The Mystery Zone” easily rank among Spoon’s finest cuts). With producers Dave Friedmann (the Flaming Lips, Mercury Rev) and Joe Chiccarelli (the Strokes, My Morning Jacket) at the helm, Spoon snaps back to full tensile strength on They Want My Soul. The new album packs the nervous energy and tuneful bounce that has become the band’s trademark (as evidenced on singles “Rent I Pay” and “Do You”), but unlike Transference, it lifts the smokescreen and delivers its unadulterated goods with great exuberance (see “Rainy Taxi” and “Let Me Be Mine”). Britt Daniel has said They Want My Soul is “one for playing loud in your car.” That seems about right, though I’ll have to take his word for it. As a city dweller who relies on mass transit, I can, however, attest to how incredible it sounds at high decibels inside the four walls of an apartment.
Whatever your viewing regimen, Honorable Woman is highly recommended for its distinctive approach, bravura performances, overall digestibility and, yes, degree of difficulty. Nothing ventured, nothing gained. And nothing like jumping into the deep end every now and then.
Watch Dawn of The Planet Of The Apes Online Honorable Woman sometimes might benefit from a quicker pace. But it also thrives on the many scenes that play out at length. Sir Hugh’s precise interrogations could fill an entire hour without ever being boring. And the prolonged, pent-up tension in Episode 2, for instance, is enough to make one grip a strong cocktail for dear life.
Watch Transformers Age Of Extinction Online Such is the case with Spoon. The Austin band gets plenty of popular and critical love, no doubt, just not enough of either. Huge commercial success may be a lost cause for most rock outfits nowadays, but appreciation is another matter entirely. As a whole, Spoon’s first-rate catalog is taken for granted. Almost everyone agrees the group makes taut and elegant rock ‘n’ roll.
Watch 22 Jump Street Online And yet there’s a widely accepted, if implicit, notion that rock music is more important, more serious, more worthy, when served with a side of genre blending and obfuscation, rather than straight up. Here’s the old Beatles versus Stones divide, still inserting a false dichotomy into our evaluation of rock, fifty years later.
Watch The Purge Anarchy Online This is a mindset fundamentally stuck in a romanticized past. It assumes an era that probably never existed, one where you could simply walk into a dive club, swing a tattered copy of CREEM, and knock over two or three exciting garage bands. The truth is rock long ago lost its vibrant middle.
Watch The Other Woman Online Spoon’s music isn’t the only refuge within modern rock’s dusty badlands – God bless you, Japandroids – but it is the most verdant. Spoon remains a stalwart holdover from a decade that saw the Strokes, the White Stripes, and lesser upstarts afford pure (throwback?) rock a final, merciful, gulp of oxygen.
Watch Planes Fire and Rescue online Spoon’s eighth LP They Want My Soul arrives over twenty years after its debut recording, the Nefarious EP. The new record warrants a superlative of some kind. But I struggle to find one that couldn’t legitimately apply elsewhere within the band’s impeccable string of releases, starting with 1998’s A Series of Sneaks all the way through 2010’s Transference.
Watch Tammy Online I would call it Spoon’s most cohesive album, if it weren’t for 2001’s Girls Can Tell. I would call it Spoon’s most assured album, if it weren’t for 2002’s Kill the Moonlight. I would call it Spoon’s most enjoyable album, if it weren’t for 2005’s Gimme Fiction. I would even call it my favorite Spoon album, if it weren’t for 2007’s Ga Ga Ga Ga Ga.
They Want My Soul feels like a comeback, one that goes beyond the long hiatus that separates it from Transference. It isn’t exactly a return to a “classic sound” – Spoon always sounds like itself – nor does it correct a prior artistic misstep. Though Transference, Spoon’s first and only self-produced LP, was warmly received at first, time hasn’t been very kind to it. If the album carries an air of disappointment, the fault isn’t with its merits, but with listeners’ tastes, or perhaps their memories. Transference was an intentionally shaggy and sometimes sour affair, which dimmed Ga Ga Ga Ga Ga’s luminance and smeared its precise lines.
This rawness was taken as a serious flaw; the quality of its songs were either overlooked or forgotten (“Written in Reverse,” “Before Destruction,” and “The Mystery Zone” easily rank among Spoon’s finest cuts). With producers Dave Friedmann (the Flaming Lips, Mercury Rev) and Joe Chiccarelli (the Strokes, My Morning Jacket) at the helm, Spoon snaps back to full tensile strength on They Want My Soul. The new album packs the nervous energy and tuneful bounce that has become the band’s trademark (as evidenced on singles “Rent I Pay” and “Do You”), but unlike Transference, it lifts the smokescreen and delivers its unadulterated goods with great exuberance (see “Rainy Taxi” and “Let Me Be Mine”). Britt Daniel has said They Want My Soul is “one for playing loud in your car.” That seems about right, though I’ll have to take his word for it. As a city dweller who relies on mass transit, I can, however, attest to how incredible it sounds at high decibels inside the four walls of an apartment.
Whatever your viewing regimen, Honorable Woman is highly recommended for its distinctive approach, bravura performances, overall digestibility and, yes, degree of difficulty. Nothing ventured, nothing gained. And nothing like jumping into the deep end every now and then.
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