Regular season for basketball
Watch Don Jon Online Night Film is set to be directed by Rupert Wyatt, who pleased audiences with the Brian Cox-led crime drama The Escapist, and the surprisingly awesome “James Franco plays with monkeys” thriller Rise of the Planet of the Apes. For both of those films, he worked with screenwriters who only had one or two films produced, and turned both of those scripts into something memorable. It stands to reason he’s a good fit for any screenwriter, so the scary ball is in Aguirre-Sacasa’s horror court, or something.
Watch We're The Millers Online Night Film, which was just published on August 20 by Random House, centers on an investigative journalist named Scott McGrath who probes into the suicide of a young woman because he thinks someone else was at fault for her death. It turns out her father is a reclusive horror filmmaker who hasn’t been seen in thirty years, and that somehow leads McGrath to think that the daughter’s murder was in revenge. I haven’t read it yet, though I cannot wait, as Pessl’s debut was 2006’s masterpiece Special Topics in Calamity Physics.
Watch Insidious Chapter 2 Online I don't dare have doubt in Aguirre-Sacasa, who already has one of the more interesting resumes out there, moving onto Carrie after writing episodes of Glee and Big Love. He’s also penned the Ryan Murphy-produced remake of The Town That Dreaded Sunshine from director Alfonso Gomez-Rejon. He’s also writing the potential Archie feature based on the comics. His work doesn’t just end in film and TV though, as he was one of the writers who turned the musical Spider-Man Turn Off the Dark from a huge punchline to a more successful punchline. He also wrote the book for the Broadway transfer of Steven Soderbergh’s Magic Mike. It seems like all that’s left for him to do is release a popular, high-selling album, and the EGOT is surely his. It’ll probably be a while before this one hits the production stage, so in the meantime, go check out Carrie on October 18 and tell me how it is, since I’ll probably be at home not watching it. Here’s the preview.
Watch Spring Breakers Online Cloudy with a Chance of Meatballs 2 may not match the jangly comic insanity of the original film released in 2009, but it had an ace in the hole no matter what: families with nothing else to see at the movies. According to the early numbers at The Hollywood Reporter Cloudy 2 was an easy leader at the box office on Friday, making $9.3 million and setting a course for a $35 million opening. That's solidly above the $30 million the first film made in its opening weekend, and about on par with the opening for Epic earlier this year.
Watch Elysium Online The weekend's other three new films were all targeting grown-ups, and the biggest winner of the bunch wasn't technically new-- Ron Howard's Rush opened wide after a limited opening last week, and made $3.6 million on Friday, on track for a $10.8 million weekend and a solid second-place finish, though Deadline predicts it will be edged out in the end by Prisoners, another adult-targeted drama looking good in its second weekend.
Watch The Mortal Instruments City of Bones Online Neck and neck for 4th and 5th place are two brand-new efforts, Joseph Gordon-Levitt's directorial debut Don Jon and the Paula Patton rom-com Baggage Claim, both of which made an estimated $3.2 million on Friday. Interestingly, they've gotten vastly different responses from audiences-- Baggage Claim, like Cloudy 2 and Rush, earned an A- CinemaScore rating, while Don Jon received a C+ from audiences. That doesn't exactly surprise us, since we didn't really like it either, but the movie had mostly been well-received by other critics. Maybe JGL's natural charm doesn't quite translate when he's playing a {omitted}{omitted}{omitted}{omitted} addict?
Watch Lee Daniels The Butler Online We'll have a full box office rundown for you on Sunday, but in the meantime let us know what you're seeing this weekend, and check out interviews with the stars of the weekend's big new movie below.What you’re about to read is a confession. I’m telling you for three reasons. First, I know you represent some other clients with mob ties. I’m sure you’ve heard some sick {omitted}{omitted}{omitted}{omitted} from them that has prepared you for the sick {omitted}{omitted}{omitted}{omitted} you’re about to read here in this letter. Second, as my lawyer, I know you’re forbidden from repeating my horror story, and third and most importantly, you’re my friend and I’ve kept this inside for way too long. It needs to come out. So, read this letter once and then burn it in your fireplace. I’m serious. Fucking burn it. Other people who find this {omitted}{omitted}{omitted}{omitted} will ask questions and be allowed to testify against me.
Early reviews suggest that might just happen. Critics are raining down heaps of praise on Gravity, calling it a technical achievement, gripping, inspiring, visually-stunning, tense, awesome and some nobody named James Cameron said this about the film. Sitting at 95% through more than forty reviews, Gravity has the makings of a classic. There aren’t many films I feel compelled to absolutely see on the big screen. The current state of movies means one is usually safe waiting until it comes into our own souped-up home theaters. But there are exceptions to be made. Gravity appears one of them. Alfonso Cuaron (Children of Men-93%, Harry Potter and the Prisoner of Azkaban-91%) appears to have put a new spin on an old setting, giving us a space that isn’t filled with aliens or astronauts stuck in their broken ships, but rather a space that is a true blank wilderness. A space that we wouldn’t look to in awe, but rather in abject hopelessness. A space that we need to see on the twenty-two foot screen or in IMAX so he can set us adrift in that void, forgetting to breathe and dying right there in our theater seats. I can’t wait. The Rotten Watch for Gravity is 94%.
Watch Don Jon Online Night Film is set to be directed by Rupert Wyatt, who pleased audiences with the Brian Cox-led crime drama The Escapist, and the surprisingly awesome “James Franco plays with monkeys” thriller Rise of the Planet of the Apes. For both of those films, he worked with screenwriters who only had one or two films produced, and turned both of those scripts into something memorable. It stands to reason he’s a good fit for any screenwriter, so the scary ball is in Aguirre-Sacasa’s horror court, or something.
Watch We're The Millers Online Night Film, which was just published on August 20 by Random House, centers on an investigative journalist named Scott McGrath who probes into the suicide of a young woman because he thinks someone else was at fault for her death. It turns out her father is a reclusive horror filmmaker who hasn’t been seen in thirty years, and that somehow leads McGrath to think that the daughter’s murder was in revenge. I haven’t read it yet, though I cannot wait, as Pessl’s debut was 2006’s masterpiece Special Topics in Calamity Physics.
Watch Insidious Chapter 2 Online I don't dare have doubt in Aguirre-Sacasa, who already has one of the more interesting resumes out there, moving onto Carrie after writing episodes of Glee and Big Love. He’s also penned the Ryan Murphy-produced remake of The Town That Dreaded Sunshine from director Alfonso Gomez-Rejon. He’s also writing the potential Archie feature based on the comics. His work doesn’t just end in film and TV though, as he was one of the writers who turned the musical Spider-Man Turn Off the Dark from a huge punchline to a more successful punchline. He also wrote the book for the Broadway transfer of Steven Soderbergh’s Magic Mike. It seems like all that’s left for him to do is release a popular, high-selling album, and the EGOT is surely his. It’ll probably be a while before this one hits the production stage, so in the meantime, go check out Carrie on October 18 and tell me how it is, since I’ll probably be at home not watching it. Here’s the preview.
Watch Spring Breakers Online Cloudy with a Chance of Meatballs 2 may not match the jangly comic insanity of the original film released in 2009, but it had an ace in the hole no matter what: families with nothing else to see at the movies. According to the early numbers at The Hollywood Reporter Cloudy 2 was an easy leader at the box office on Friday, making $9.3 million and setting a course for a $35 million opening. That's solidly above the $30 million the first film made in its opening weekend, and about on par with the opening for Epic earlier this year.
Watch Elysium Online The weekend's other three new films were all targeting grown-ups, and the biggest winner of the bunch wasn't technically new-- Ron Howard's Rush opened wide after a limited opening last week, and made $3.6 million on Friday, on track for a $10.8 million weekend and a solid second-place finish, though Deadline predicts it will be edged out in the end by Prisoners, another adult-targeted drama looking good in its second weekend.
Watch The Mortal Instruments City of Bones Online Neck and neck for 4th and 5th place are two brand-new efforts, Joseph Gordon-Levitt's directorial debut Don Jon and the Paula Patton rom-com Baggage Claim, both of which made an estimated $3.2 million on Friday. Interestingly, they've gotten vastly different responses from audiences-- Baggage Claim, like Cloudy 2 and Rush, earned an A- CinemaScore rating, while Don Jon received a C+ from audiences. That doesn't exactly surprise us, since we didn't really like it either, but the movie had mostly been well-received by other critics. Maybe JGL's natural charm doesn't quite translate when he's playing a {omitted}{omitted}{omitted}{omitted} addict?
Watch Lee Daniels The Butler Online We'll have a full box office rundown for you on Sunday, but in the meantime let us know what you're seeing this weekend, and check out interviews with the stars of the weekend's big new movie below.What you’re about to read is a confession. I’m telling you for three reasons. First, I know you represent some other clients with mob ties. I’m sure you’ve heard some sick {omitted}{omitted}{omitted}{omitted} from them that has prepared you for the sick {omitted}{omitted}{omitted}{omitted} you’re about to read here in this letter. Second, as my lawyer, I know you’re forbidden from repeating my horror story, and third and most importantly, you’re my friend and I’ve kept this inside for way too long. It needs to come out. So, read this letter once and then burn it in your fireplace. I’m serious. Fucking burn it. Other people who find this {omitted}{omitted}{omitted}{omitted} will ask questions and be allowed to testify against me.
Early reviews suggest that might just happen. Critics are raining down heaps of praise on Gravity, calling it a technical achievement, gripping, inspiring, visually-stunning, tense, awesome and some nobody named James Cameron said this about the film. Sitting at 95% through more than forty reviews, Gravity has the makings of a classic. There aren’t many films I feel compelled to absolutely see on the big screen. The current state of movies means one is usually safe waiting until it comes into our own souped-up home theaters. But there are exceptions to be made. Gravity appears one of them. Alfonso Cuaron (Children of Men-93%, Harry Potter and the Prisoner of Azkaban-91%) appears to have put a new spin on an old setting, giving us a space that isn’t filled with aliens or astronauts stuck in their broken ships, but rather a space that is a true blank wilderness. A space that we wouldn’t look to in awe, but rather in abject hopelessness. A space that we need to see on the twenty-two foot screen or in IMAX so he can set us adrift in that void, forgetting to breathe and dying right there in our theater seats. I can’t wait. The Rotten Watch for Gravity is 94%.
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